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A Hyperallergic guide recommends 10 Los Angeles art shows this November, spanning galleries, museums and historic sites. The exhibitions take up subjects including the Salem Witch Trials, Black art and gallery history, archival images, dreams and contemporary life; the supplied material gives details for only five of the 10 listings.
Hyperallergic has published a guide to 10 art shows in Los Angeles this November, featuring exhibitions that revisit history, archives and personal or collective memory. The listings include a presentation on the Brockman Gallery at LACMA, a Todd Gray retrospective at the Brick and solo shows by artists including April Bey, iris yirei hu and Isabelle Frances McGuire.
The supplied report describes a November art scene focused on recovering and reframing history. McGuire’s “Joy is a Puppet,” at Bel Ami in Chinatown through November 28, addresses the Salem Witch Trials through sculpture, assemblage and an interactive video game. Players take the role of a woman accused of witchcraft and decide what to do next. The report connects the subject’s contemporary resonance to concerns about authoritarianism, an interpretation rather than a claim about the exhibition’s intended reception.
At Vielmetter Los Angeles, April Bey’s textile works are on view October 31 through December 19. The Bahamian-American artist’s show is part of her Atlantica project, in which she adopts the identity of an extraterrestrial sending observations about human life to her home planet. New large-scale fabric works incorporate portraits made during a 2024 residency in Orange Mound, a historically Black community in Memphis, and depict queer intimacy.
Other detailed listings include Charles Arnoldi’s “String Theory” at Michael Kohn Gallery, with paintings made from 2016 to 2019; hu’s “Unconscious Relics,” combining paintings, ceramics and reliquary boxes at Official Welcome; and Milano Chow’s “Fantasy Street” at Hollyhock House. Chow drew on Los Angeles Public Library archival images to invent architectural scenes, displayed in a room at the historic home alongside photographs by Deborah Turbeville in a separate exhibition she curated.
How Archives Shape These Shows
The guide points readers toward exhibitions that put historical records and artistic interpretation in dialogue. Chow transforms library photographs of early-20th-century Los Angeles buildings into fictional facades, while Gray’s work, according to the report, brings commercial photographs of musical acts together with constructed tableaux drawing on archival images.
The LACMA exhibition on the Brockman Gallery, which operated from 1967 to 1990, addresses an institution that supported Black artists. Including that history in a citywide selection makes the gallery’s role part of the present exhibition conversation, rather than treating it as a distant footnote. For readers, the guide also offers practical options across different venues and artistic approaches.
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A November Across Los Angeles
The report frames the month’s exhibitions around artists revisiting the past through archives, historical subjects and personal memory. Its examples range from McGuire’s take on the Salem Witch Trials to Chow’s use of public-library records and the Brockman Gallery history at LACMA. It also describes hu’s work as bringing Tongva customs and Chinese herbal medicine into relation through objects and images of personal and cultural importance.
The shows are spread across galleries, a museum and a historic house, with different closing dates. Some exhibitions extend into December, so “to see this November” refers to shows open during the month, not necessarily shows that close in November. The supplied source describes five exhibitions in detail, though its headline promises 10; the remaining five titles and details are not included in the material provided here.
Five Listings Need More Detail
The supplied source material does not identify or describe all 10 shows named in the guide’s headline. It gives detailed information for five exhibitions, including their venues and dates, but not the other five. The full list, admission details, opening hours and any date changes are not established by the material provided.
The report also describes the exhibitions’ subject matter and artistic approaches, but does not provide statements from the artists or venues. Interpretations such as the relevance of the Salem Witch Trials to current political conditions should be read as the report’s framing, not as direct quotations or verified statements of artist intent.
Check Dates Before Visiting
Readers planning visits should verify current hours, access and exhibition dates with each venue, particularly because the listings span several neighborhoods and some shows continue into December. According to the supplied report, McGuire’s exhibition closes November 28, while the detailed shows by Bey, Arnoldi and hu run through December 19, and Chow’s Hollyhock House exhibitions through December 20.
The source material does not specify a later update or a complete version of all 10 listings. Further information about the other shows, along with any schedule changes, would need to be confirmed through the full guide or directly with the venues.
Key Questions
Which exhibitions are described in the supplied guide?
The material provides details for five listings: Isabelle Frances McGuire at Bel Ami; April Bey at Vielmetter Los Angeles; Charles Arnoldi at Michael Kohn Gallery; iris yirei hu at Official Welcome; and Milano Chow’s exhibitions at Hollyhock House.
Which show closes first?
Among the exhibitions described, McGuire’s “Joy is a Puppet” runs through November 28. The other detailed listings continue into December.
Where can visitors see April Bey’s exhibition?
Bey’s exhibition is at Vielmetter Los Angeles, 1700 South Santa Fe Avenue, Suite 101, in Downtown Los Angeles. The source lists it as running October 31 through December 19.
Does the supplied material include all 10 shows?
No. Although the guide is titled “10 Art Shows to See in Los Angeles This November,” the source material provided here gives detailed information for five exhibitions. It does not identify the other five.
Source: hyperallergic.com
