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Artist Amy Genser makes dimensional wall assemblages from rolled mulberry paper and other materials, using layered patterns and blue-green colors to suggest ocean forms without depicting them literally. A recent work, “Stars Below,” was commissioned by The Macallan for its Carta Nautica Collection, which references the transatlantic journeys of the whisky’s aging barrels.
Artist Amy Genser builds layered wall sculptures from rolled mulberry paper, acrylic and wire, creating abstract forms that recall ocean currents, reefs and marine life. A recent monumental work, “Stars Below,” was commissioned by Scottish whisky company The Macallan for its Carta Nautica Collection, a release and artwork project tied to the transatlantic routes taken by barrels used to age the spirit.
In a report published by Colossal, Genser’s pieces are described as undulating compositions in blue and green, assembled from many small rolled-paper elements. Their patterns gather and spread across the surface, while shifts in color, texture and depth give the works a changing appearance at close range. The materials and forms are visible; their resemblance to particular sea creatures or geological features remains suggestive rather than literal.
Colossal describes how a work may initially read as a view of clear water or a topographical landscape. On closer inspection, rounded forms with openings can bring barnacles to mind, while elongated shapes may suggest tentacles. The report presents that uncertainty as part of the viewing experience: Genser’s arrangements evoke the sea but do not resolve into a single recognizable scene.
“Stars Below” was made at a monumental scale for The Macallan’s Carta Nautica Collection. The company’s collection connects the bottle release and the artwork to the journey of wooden barrels used to age the whisky, which travel to Scotland from Spain and the United States. The source does not provide the work’s dimensions, its display location or details about the commissioning process.
Turning Ocean Patterns Into Wall Works
Genser’s work offers a physical way to encounter abstract ideas of movement, depth and scale. Its raised, layered construction makes the surface more than an image: shadows and overlapping forms change how the composition reads as viewers look across it. The sea references give audiences a point of entry, while the abstract forms leave room for different interpretations.
The commission also places a contemporary artwork alongside a product story about barrel travel across the Atlantic. In “Stars Below,” the connection is thematic: Genser’s flowing textures are presented as a response to a maritime journey, not as a literal map or documentary record of the route. The project shows how an artwork can translate a company’s historical or geographic theme into a distinct visual language.
For readers interested in contemporary craft and sculpture, the report documents a practice that combines paper with materials such as wire, mesh, thermoplastic and PVC. The listed works span several years and formats, illustrating that Genser’s ocean imagery is part of a broader body of dimensional work rather than a single commission.
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A Practice Built From Rolled Paper
The Colossal report identifies mulberry paper as a recurring material in Genser’s assemblages. Other works use acrylic, copper wire, mesh, thermoplastic, wood or PVC. The materials differ from piece to piece, and the source gives no account of the construction process beyond describing the paper as rolled and assembled into elaborate wall works.
Examples cited in the report include “Need” (2024), made with mulberry paper, mesh, copper wire and thermoplastic on PVC, and “Marine Dream” (2025), made with mulberry paper and acrylic on PVC. Works dated 2026 include “Peacefully Chaotic,” “Coalesce” and “Suspended.” Their listed dimensions show that the series includes pieces of varied sizes, although the source does not state whether these examples are currently on view or available for purchase.
Genser describes the commissioned work as an imagined underwater world. “Through layered textures, flowing forms, and rich colors, I brought to life a mythical underwater world shaped by movement, discovery, and transformation,” she said. That statement frames the work as an artistic interpretation rather than a naturalistic depiction.
““Through layered textures, flowing forms, and rich colors, I brought to life a mythical underwater world shaped by movement, discovery, and transformation.””
— Amy Genser, on “Stars Below”
Display and Commission Details Remain Unspecified
The available report does not say where “Stars Below” is displayed, whether it is accessible to the public, or whether it was created for a particular exhibition or event. It also gives no dimensions, production timeline or additional details from The Macallan about the commission. The source describes the work as monumental but does not quantify its scale.
The relationship between the artwork and the Carta Nautica bottle release is described in broad terms: both celebrate the transatlantic journey of the aging barrels. The report does not provide a detailed route, dates of travel, or information about how the artwork is incorporated into the collection. It is also unclear whether further works or public presentations are planned.
Further Images and Project Information
Colossal directs readers to Genser’s Instagram account for more of her work. The report does not announce a future exhibition or another project date, so no next public milestone is confirmed. Additional details about “Stars Below,” including its location and any related events, would need to come from the artist or The Macallan.
Key Questions
What materials does Amy Genser use?
The report identifies rolled mulberry paper as a central material, combined in different works with acrylic, wire, mesh, thermoplastic, wood or PVC.
What is “Stars Below”?
“Stars Below” is a monumental wall work Genser created on commission for The Macallan’s Carta Nautica Collection. It draws on the collection’s connection to the transatlantic journeys of whisky-aging barrels.
Do Genser’s works depict specific sea creatures?
They evoke marine forms rather than presenting confirmed depictions of particular species. The report notes shapes that may resemble barnacles or tentacles, but the compositions remain abstract.
Where can the public see “Stars Below”?
The report does not specify the work’s display location or whether it is open to public viewing. Readers can find more of Genser’s work through the artist’s Instagram, as referenced by Colossal.
Source: thisiscolossal.com
