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The documentary The Hummingbird Paints Fragrant Songs, directed by Èlia Gasull Balada and Matteo Norzi, follows Shipibo-Konibo artist Sara Flores and her rise in the art world. It is scheduled to screen at the São Paulo International Film Festival from October 19 and to open DOC NYC on November 11, with online access during the festival from November 12–29.
The Hummingbird Paints Fragrant Songs, a documentary about Shipibo-Konibo artist Sara Flores, is set to screen at the São Paulo International Film Festival beginning October 19 and to open DOC NYC on November 11, according to a report by Hyperallergic. The film follows Flores as her work gains international attention, while foregrounding her account of art as a platform for Shipibo self-determination and cultural resistance.
Directed by Èlia Gasull Balada and Matteo Norzi, the film moves between scenes of Flores’s artistic practice and her encounters with the international art world. Its opening, as described by Hyperallergic, shows a woman preparing tree bark and applying geometric patterns, followed by scenes of Flores traveling to New York and visiting an exhibition at the now-closed Clearing gallery on the Bowery.
The São Paulo International Film Festival screening is listed as starting October 19. In the United States, the documentary is scheduled as the opening-night selection at DOC NYC on November 11. It is also slated to stream online through the festival from November 12 to 29. The supplied report does not give screening venues, ticket details or the film’s full release plan beyond those festival dates.
Hyperallergic identifies Flores as the representing artist of the Peruvian pavilion at the current Venice Biennale. The report presents that role as part of her growing public profile, while the documentary also connects her work to Shipibo cultural knowledge and life in the Amazon rainforest.
Flores Connects Art With Shipibo Rights
The film’s account matters because it places Flores’s art within a wider discussion of cultural continuity and self-determination, rather than treating its geometric forms only as objects for international galleries. Flores told Hyperallergic that opportunities to show her work let her draw attention to the Shipibo people’s struggle for self-determination and cultural resistance.
Festival screenings may bring that perspective to audiences beyond the art venues where Flores has shown her work. The report does not establish what response the film will receive or what direct effects the screenings may have. It does, however, make the artist’s stated purpose part of the film’s public framing: her visibility is linked to the community and cultural practices from which her work emerges.
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From Amazon Practice to Venice Pavilion
Hyperallergic describes a documentary structured around contrasts: rainforest scenes and Flores’s daily artistic practice appear alongside travel and gallery settings. The opening imagery includes a woman carefully preparing material from a tree and drawing geometric patterns. The article then follows Flores on a first-class flight to New York and at an exhibition at Clearing, presenting her increasing exposure to international art audiences.
The report says Flores is representing Peru at the Venice Biennale, but the source material does not provide further details about the pavilion’s exhibition or the wider circumstances of her selection. The film’s title, The Hummingbird Paints Fragrant Songs, and its account of Flores’s work offer a cultural frame for the story, while the artist’s quoted remarks clarify that she sees exhibitions as opportunities to speak about Shipibo resistance and autonomy.
“Every opportunity to show my work is a platform to raise attention on the struggle for self-determination and cultural resistance of the Shipibo people.”
— Sara Flores, speaking to Hyperallergic
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Release Details Remain Limited
The source material confirms the planned festival dates but does not say whether the schedule could change, how tickets or online access will be arranged, or whether the documentary has distribution plans beyond DOC NYC. It also does not provide a full account of the film’s production, its length, or how Flores and other participants are represented throughout.
Hyperallergic describes the film as following Flores during her rapid rise in the art world, but that characterization is the report’s framing, not a quantified measure of her career. Further details about the Venice Biennale presentation and the film’s response from viewers are not included.
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Festival Screenings Begin in October
The next listed public showing is at the São Paulo International Film Festival beginning October 19. DOC NYC is scheduled to open the film on November 11, followed by online availability through the festival from November 12 to 29. Viewers seeking access will need to check the festivals’ listings for venue, ticketing and streaming information, which were not included in the supplied report.
Any broader release announcement, additional screenings or distribution plans remain unreported. The festival run will provide the next opportunity for audiences to see the documentary and hear Flores’s perspective as presented by the filmmakers.
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Key Questions
What is The Hummingbird Paints Fragrant Songs about?
The documentary follows Shipibo-Konibo artist Sara Flores, her artistic practice and her growing visibility in the international art world. The report also highlights her stated aim of drawing attention to Shipibo self-determination and cultural resistance.
Who directed the film?
Èlia Gasull Balada and Matteo Norzi directed The Hummingbird Paints Fragrant Songs.
When can audiences see it?
The film is scheduled to screen at the São Paulo International Film Festival from October 19. It is set to open DOC NYC on November 11 and stream online through the festival from November 12 to 29.
What has Sara Flores said about showing her work?
Flores told Hyperallergic that she sees each opportunity to exhibit as a platform to raise attention to the Shipibo people’s struggle for self-determination and cultural resistance.
Are screenings or distribution confirmed beyond these festivals?
The supplied report lists the São Paulo festival and DOC NYC dates but does not confirm a wider release, additional screenings, ticket details or other distribution plans.
Source: rss
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