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The Metropolitan Museum of Art selected Danh Vo for its 2027 Genesis Facade commission and Sandra Mujinga for its Great Hall commission. Vo’s new works are scheduled to go on view in September 2027, while Mujinga’s site-specific installation is planned for the following November. The museum has not announced the works’ titles or further project details in the report.
The Metropolitan Museum of Art has selected Danh Vo for its 2027 Genesis Facade commission and Sandra Mujinga for its Great Hall commission, assigning the artists works for two prominent spaces at the New York museum. Vo’s new work is scheduled to appear in the facade’s four niches starting in September 2027; Mujinga’s site-specific installation is planned for the Great Hall the following November.
Vo will make new works for the four niches on the exterior of the Met’s Beaux-Arts building. The report describes his practice as often drawing on his experience as a Vietnamese boat refugee and examining modern history. The commission places a new project by the artist on the museum’s exterior, where it will be visible to visitors and passersby during its planned presentation.
Mujinga will create a site-specific installation for the Great Hall, the museum’s interior entrance space. Her practice draws on Afrofuturism, science fiction and post-colonialism, according to the report. The Met plans to present the installation in November 2027. The report did not give a title, materials, dimensions or expected run for either project.
Met Director and CEO Max Hollein announced the selections in a statement. The commissions are distinct projects in different parts of the museum: Vo’s is an exterior presentation, while Mujinga’s is planned for the Great Hall. Both are scheduled for 2027, though the reported dates are months apart.
Two Commissions Reframe Met Spaces
The selections bring contemporary artists’ work into two highly visible parts of the Met rather than limiting the commissions to conventional gallery settings. Vo’s project is planned for the building’s exterior facade, while Mujinga’s will occupy the Great Hall, a major interior arrival space. The locations give the projects different relationships with the museum: one faces outward toward the city, and the other meets visitors inside.
The artists’ described interests also point to distinct ways of engaging with history and identity. Vo’s work often examines modern history through his experience as a refugee; Mujinga’s practice draws on speculative and post-colonial traditions. Hollein said both artists approach history as active and unsettled. That is the museum director’s characterization, not a detailed description of the works, which have yet to be announced.
For visitors, the commissions offer a reason to look for new work in spaces used as part of the museum’s everyday circulation. They also put two artists with different practices into a shared institutional program, without suggesting that their projects will address the same subjects or take the same form.
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Facade and Hall Commission Program
The announcement concerns the Met’s 2027 Genesis Facade and Great Hall commissions. The projects are site-specific in different ways: Vo’s works are planned for the facade’s four niches, while Mujinga’s installation is intended for the Great Hall. The report identifies the museum and the planned presentation periods but provides no additional commissioning schedule or production details.
The Met’s announcement comes alongside other art-world developments covered in the same Hyperallergic roundup, but those items are separate from the commissions. The report also includes biographical descriptions of both artists’ practices; those descriptions provide context for the choices, but do not establish what either artist will make for the museum.
““Danh Vo and Sandra Mujinga both treat history as something alive and unsettled and are deeply attuned to the ways objects and bodies carry meaning across time.””
— Max Hollein, director and CEO of the Metropolitan Museum of Art
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Project Details Still Pending
The report does not identify the commissioned works by title or describe their materials, scale or content. It also gives no opening or closing dates beyond saying that Vo’s work will be on view starting in September 2027 and Mujinga’s installation is planned for the following November. It is not clear how long either presentation will remain in place or whether the schedules could change.
The artists’ established themes should not be read as confirmation of the subjects of these particular projects. The Met’s statement characterizes their broader approaches, but the report does not quote Vo or Mujinga discussing the commissions. Further information about the works and visitor access has not been provided in the source material.
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Work Details Ahead of 2027
The next reported milestones are the planned presentations: Vo’s facade works in September 2027 and Mujinga’s Great Hall installation in November 2027. The source does not specify when the Met will release titles, images, installation details or exact dates. Those details remain subject to future announcements from the museum.
As the dates approach, information from the Met could clarify how each project will use its assigned space, how long visitors can see it and whether any access arrangements will affect the experience. Until then, the confirmed news is the artists’ selection, the locations and the planned months of presentation.
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Key Questions
Who was selected for the Met’s 2027 commissions?
Danh Vo was selected for the Genesis Facade commission, and Sandra Mujinga was selected for the Great Hall commission.
When are the works expected to be shown?
Vo’s facade works are scheduled to go on view starting in September 2027. Mujinga’s Great Hall installation is planned for November 2027.
Where will each commission appear?
Vo will make works for the four niches on the Met’s exterior facade. Mujinga will create a site-specific installation for the museum’s Great Hall.
What will the artists make?
The report says Vo will create new works and Mujinga a site-specific installation, but it does not provide titles, materials or further descriptions. The final form and content of the projects have not been reported.
How did the Met explain its choices?
Director and CEO Max Hollein said both artists treat history as alive and unsettled and attend to how objects and bodies carry meaning across time. That statement describes the museum’s view of their practices, not the details of the commissioned works.
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