TL;DR
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A miniature-maker has created a 1:12-scale study inspired by Terry Pratchett, drawing on limited photographs and help from Bernard Pearson, known as The Cunning Artificer. The maker says the room is not an exact replica; its handcrafted details include individually made books, a leather jacket, a felt hat and artwork by Paul Kidby.
The maker says the project took **about a month and a half** and involved researching Pratchett as well as constructing the miniature. She found a small number of photographs of his study and received help answering questions from **Bernard Pearson, known as The Cunning Artificer**. The source does not give a publication date for the report.
The miniature’s bookcases hold individually made books, including Pratchett’s Discworld titles and other works. The maker says she used the **correct covers** for each book, despite difficulty finding complete cover images. One small volume represents a signed first edition of Good Omens, with an inscription reading, “Burn this book!”
Other details draw on objects and imagery associated with Pratchett. An eagle lectern serves as a stand for a miniature leather jacket and hat. The maker says the jacket was hand-sewn from very thin goatskin and the hat felted from fine merino wool. Above the fireplace is “Great T’Phon rising” by Paul Kidby; a second Kidby work, Mors Ultima Ratio, appears behind the lectern.
How the Miniature Captures Pratchett’s World
The project turns biographical and literary references into a small physical scene, combining recognisable personal details with objects connected to Pratchett’s fiction. Its significance is as a **personal tribute and piece of miniature craft**, rather than a verified reconstruction of the author’s workroom.
Its careful scale work is central to the account. The maker describes knitting a blanket with wool and silk on **0.7 mm needles**, shaping a chair from wood, foam and leather, and making each book separately. Those details show how the display’s effect depends on close-up workmanship, even where the objects cannot be examined easily once placed on the shelves.
The distinction between homage and documentation matters. The maker openly says the available images were too limited for a faithful replica. Readers can appreciate the objects as interpretations inspired by Pratchett without treating them as proof of how every item in his actual study was arranged.
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Photographs, Research and Scale
The project report explains that a true replica would have required **photographs from every angle and exact measurements**. The maker says she found only a few images online, so she built a small section of a study rather than claiming to reproduce the whole room. The supplied material does not identify when the miniature was completed or when the report first appeared.
Several elements are described in practical terms. The fireplace is made from wood and plaster; the armchair combines wood, sheet foam and leather, with sanding and wax used to give it a worn look. The firewood consists of twigs from a tulip tree that a winter storm brought down in the maker’s yard. A miniature clock was obtained from a specialist miniature clockmaker, while the sword is pewter.
Literary references also appear in the scene. A manuscript represents the **first 50 pages of The Colour of Magic**, the first Discworld novel, according to the report. The Librarian, a Discworld character, sits on a small chest. The source describes these pieces as elements of the miniature; it does not present them as objects from Pratchett’s real study.
““This is not a replica of Terry Pratchett’s study.””
— The miniature-maker, in the sussi.dk project report
Limits of the Available Record
The supplied report gives no **publication date, completion date or precise location** for the miniature. It also does not provide dimensions beyond the stated 1:12 scale, a full set of reference images, or measurements that would allow readers to compare the scene systematically with Pratchett’s actual study.
The maker’s descriptions establish how she constructed the objects and which references she intended them to evoke. They do not independently verify that every depicted item was in Pratchett’s study or that the arrangement matches his room. The report also does not state whether the miniature is on public display, available to visit or part of a permanent collection.
Where the Project Can Be Seen
The supplied source documents the miniature and its making but does not announce an exhibition, sale, tour or further project milestone. Readers seeking the maker’s full account can consult the **Terry Pratchett’s Study page on sussi.dk**, where the project is described in detail.
Any public display plans or additional photographs would need to be confirmed by the maker or the site. For now, the report stands as a record of a completed miniature project, with its scope clearly presented as an interpretation rather than an exact replica.
Key Questions
Is this an exact replica of Terry Pratchett’s study?
No. The maker says it is a small, imagined section inspired by the study, not a replica, because she lacked photographs from every angle and precise measurements.
What scale is the miniature?
The study is made at 1:12 scale, according to the project report.
Who helped with the research?
The maker says Bernard Pearson, known as The Cunning Artificer, answered her questions. She also says she found a limited number of photographs online.
Which details from Pratchett’s books appear in the scene?
The miniature includes Discworld books, a manuscript representing the first 50 pages of The Colour of Magic, and the character The Librarian. It also features artwork by Paul Kidby.
Is the miniature open to the public?
The supplied report does not say whether the miniature is on public display or available to visit. Its location and any exhibition plans are not specified.
Source: sussi.dk
