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London-based artist Rana Begum is presenting her first solo show in New York at Lehmann Maupin, with 18 works from series spanning her career. The works use materials including aluminum, glass and automotive parts to explore how light, color and form change with a viewer’s position and the surrounding conditions.
London-based artist Rana Begum is showing 18 works at Lehmann Maupin in New York in her first solo exhibition in the city, according to Hyperallergic. Drawn from series that run through her career, the works use industrial materials such as aluminum, glass, automotive parts and chain link to test how light, color and form affect perception.
The exhibition ranges across different bodies of work rather than presenting a single series. In a gallery walkthrough before the show opened, Begum described light, form and color as the elements that recur throughout her practice. Their relative emphasis changes from series to series, she said, but all three remain present in each work.
One example is No. 1628 (2026), made from 20 powder-coated aluminum sections mounted on a wall. The sides of the bars are painted vivid yellow and pink. As viewers move around the work, their spacing and the changing angle of view produce shifting optical effects; the Hyperallergic report describes apparent hues and geometric patterns that are not painted directly onto the piece.
The work was installed near a window, and the reviewer observed that its appearance seemed to shift with small changes in sunlight during an hour-long visit. That observation is the report’s account of the gallery experience, rather than a measured test. Begum also said that viewers need to spend time with the work and watch how it changes through the day.
A Gallery Show Built Around Perception
The exhibition places the viewer’s own perception at the center of the encounter. A work such as No. 1628 does not present one fixed visual effect from every angle: viewpoint and ambient light shape what a person sees. That makes movement and observation part of how the work is experienced, rather than treating the gallery object as a static image.
Begum’s use of industrial materials also gives the show a practical, material dimension. Aluminum bars, glass, chain link and automotive components become means of investigating color and light. The report frames the works as perceptually complex, but does not claim that every visitor will see identical effects or provide technical measurements of the optical changes.
For New York audiences, the show marks Begum’s first solo presentation in the city and brings together 18 works across multiple series. Its scope offers a view of recurring concerns in her practice while keeping the emphasis on the different balances of light, form and color within each body of work.
light and color perception art prints
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Begum’s Ongoing Light Experiments
Begum told Hyperallergic that she began the series to which No. 1628 belongs around 2007, describing it as an anchor in her practice. The 2026 work therefore connects the current exhibition to an approach she has pursued for years, although the source does not provide a full chronology of the series or identify every work in the show.
In the interview, Begum recalled that art initially became a tool for communication and later an obsession. She described her work as bringing light, form and color together, with the balance varying between series. This account helps explain why the New York exhibition includes works made with different materials and visual structures rather than relying on a single technique.
The source report identifies the exhibition as taking place at Lehmann Maupin and credits its photographs to Aruna D’Souza. It does not give the show’s full checklist, dates of public access or details about related programming.
industrial material art sculptures
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Show Dates and Full Checklist
The source identifies this as Begum’s first solo show in New York and reports that it opened at Lehmann Maupin, but it does not state the exhibition’s closing date or give a complete list of the 18 works. It also does not provide visitor numbers, sales information or a response from the gallery beyond the material quoted in the report.
The shifting colors and patterns described for No. 1628 are reported as visual effects experienced by the writer and discussed by Begum in relation to light and observation. The source does not supply measurements or establish how those effects vary across lighting conditions, display settings or viewers.
interactive optical illusion wall art
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Visitors Can View the Works
The immediate next step is public viewing at Lehmann Maupin in New York. Because the source does not provide opening hours or the exhibition’s end date, visitors should check the gallery’s current listings before planning a visit. Begum’s comments suggest that spending time with the works and observing them from different positions may reveal changes that are less apparent at a glance.
No further exhibition dates, public events or related announcements are included in the report. Any additional programming or schedule updates remain subject to information from the gallery.
light changing aluminum wall decor
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Key Questions
What is Rana Begum’s New York exhibition?
It is Begum’s first solo show in New York, presented at Lehmann Maupin. The exhibition brings together 18 works from different series across her career.
What is the exhibition about?
Begum told Hyperallergic that light, form and color are core elements in her work. The exhibition uses industrial materials to explore how those elements shape what viewers see.
What is No. 1628 made from?
The 2026 work consists of 20 powder-coated aluminum sections mounted on a wall, with yellow and pink paint on the sides of the bars.
When does the exhibition close?
The source report does not state a closing date. Check Lehmann Maupin’s current exhibition information for the latest schedule.
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