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Derriann Pharr’s works are included in “A sustained becoming: Studio Museum Artists in Residence 2026,” an exhibition featuring the institution’s resident cohort. A Hyperallergic review describes her 2026 works as drawing on girlhood and womanhood, with figures that combine human and animal forms.
Derriann Pharr’s work is on view in “A sustained becoming: Studio Museum Artists in Residence 2026,” an exhibition of the museum’s resident cohort in its new Harlem building. A Hyperallergic review describes Pharr’s works on paper as drawing on girlhood and womanhood, with figures that shift between human and animal forms.
The review highlights two works dated 2026: “Squinching my eyes shut and wishing real hard (Honey’s Dream)” and “Bring My Bones Home!” In the first, Pharr builds a long, animal-like woman from images and textures including scales, fur, flower petals, gossamer wings and morning dew. The work is made on paper, whose frayed edges contrast with the force of the composition, according to the review.
In “Bring My Bones Home!”, a rounded female figure curls around a small creature in what the review describes as both tender and watchful. Sharp, sculptural elements rise above the figure. The exhibition also includes work by fellow residents Simonette Quamina and Taylor Simmons: Quamina’s indigo-hued dreamscapes and Simmons’s intimate oil tableaux.
The show occupies a spacious fourth-floor gallery in the Studio Museum’s new 82,000-square-foot building in Harlem. Hyperallergic says the works are arranged with care to avoid crowding and allow each artist’s practice room. The source does not provide the exhibition’s dates or a complete list of works.
Three Residents Fill a New Gallery
The exhibition brings the work of the museum’s 2026 resident cohort into its new Harlem building, giving visitors a view of several distinct practices in one gallery. The review’s description of the spacious installation points to how the museum is presenting the artists: with room for their works to be encountered individually, rather than compressed together.
For Pharr, the works offer a visual treatment of girlhood and womanhood through transformation, protection and hybrid forms. The review’s account provides a specific sense of the imagery on view, while leaving questions about the artist’s process and intentions unanswered.
The Studio Museum’s Resident Cohort
“A sustained becoming: Studio Museum Artists in Residence 2026” is an exhibition of the Studio Museum in Harlem’s resident cohort. The museum is based in Harlem, and the show is installed in the institution’s new 82,000-square-foot building, in a fourth-floor gallery.
The Hyperallergic item is a Pocket Review, a short-form art review, rather than a full exhibition catalogue. It identifies Pharr’s two works and briefly describes work by Quamina and Simmons, but does not set out the residency’s structure, the artists’ statements or the full exhibition program.
““a gesture of tender but watchful protection””
— Hyperallergic review
Exhibition Dates Remain Unspecified
The available source does not state when the exhibition opened or closes, whether it has already opened, or how long the works will remain on view. It also does not provide visitor information, a complete checklist, or statements from Pharr or the other residents. The review’s interpretations of the figures and their emotional tone are the critic’s descriptions, not confirmed statements of the artists’ intentions.
Visitors Can Explore the Cohort
Visitors can see Pharr’s featured works alongside pieces by Quamina and Simmons in the Studio Museum’s fourth-floor gallery, according to the review. Readers seeking current hours, access details and exhibition dates will need to consult the museum’s visitor information; those details are not included in the source report.
Key Questions
Where is “A sustained becoming” being shown?
The exhibition is in a fourth-floor gallery at the Studio Museum in Harlem, in the institution’s new building.
Which Derriann Pharr works does the review discuss?
It discusses “Squinching my eyes shut and wishing real hard (Honey’s Dream)” and “Bring My Bones Home!”, both dated 2026.
Which other artists are mentioned?
The review mentions fellow residents Simonette Quamina, whose work it describes as indigo-hued dreamscapes, and Taylor Simmons, whose work it calls intimate oil tableaux.
When can visitors see the exhibition?
The source does not give opening or closing dates, hours or visitor details. Check the Studio Museum’s current listings for that information.
Source: rss
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